Thursday, September 22, 2011

Texas Tea Party c. 1860

I just ran across this in a book I was reading.  It proves some things do not change, especially in the Lone Star State. -John


Perhaps the feistiest Southerner of all was Louis T. ‘Wigfall, a freshman senator from Texas. If Crittenden represented the past, this new man from a new state might represent the future—though there were many who devoutly hoped not. His very face was that of a man who, whatever his other endowments might be, found it unbearable to hear more than three or four words spoken consecutively by anyone else. His beetling eyebrows clenched and unclenched when he talked (which was almost incessantly), and his pugnacious black beard seemed to jut out perpendicular to his face. Even his nose, an English journal­ist wrote, was somehow “argumentative.” But his eyes, the writer con­tinued, were most dangerously transfixing: “of wonderful depth and light, such as I never saw before but in the head of a wild beast. If you look some day when the sun is not too bright into the eye of a Bengal tiger, in the Regent’s Park, as the keeper is coming round, you will form some notion of the expression I mean.”32
By the age of twenty-five, Wigfall had managed to squander his considerable inheritance, settle three affairs of honor on the dueling ground, fight in a ruthless military campaign against the Seminoles, consume a small lakeful of bourbon, win an enviable reputation in whorehouses throughout the South, and get hauled before a judge on charges of murder. Three years after that, he took the next logical step and went into Texas politics. Of all the Southern fire-eaters in the Senate, Wigfall was the most flamboyant—and inflexible. He scorned the very idea of compromise, openly relished the prospect of spill­ing Yankee blood, and crowed the war would end only after Southern troops had cut a swath of destruction across the North, with the final capitulation signed in Faneuil Hall.33

Excerpted from 1861 – The Civil War Awakening by Adam Goodheart, Knopf, New York, 2011

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